REVIEW ARTICLE 
        Copyright and Development: Inequality in the Information 
          Age, edited by Philip G. Altbach
        ISBN 0-937033-58-8, 109 pp 1995, $15 (paper). 
          (Bellagio Studies in Publishing 4). Chestnut Hill, Mass.: Bellagio Publishing 
          Network Research and Information Center, 1995, 109 pp., 
        Review by Hans M Zell
        
Hans M Zell is a publishing consultant specialising 
          in scholarly and reference book publishing, and journals publishing 
          management; Glais Bheinn, Lochcarron, Ross-shire, IV54 8YB, Scotland. 
          +44 1520 722951 (tel), +44 1520 722953 (fax), email: hzell@dial.pipex.com
         This is the fourth title in the valuable "Bellagio 
          Studies on Publishing" series, put out by the Research and Information 
          Center of the Bellagio Publishing Network, an informal association of 
          organizations and donors dedicated to the strengthening of indigenous 
          publishing in the Third World. The present title aims to fill an important 
          void in the current debate about copyright. At the same time, the contributions 
          in the book bring some balance to the debate by providing a number of 
          perspectives from countries in the developing world.
        
         The book contains six contributions: an introductory 
          essay by Philip Altbach, "The Subtle Inequalities of Copyright"; papers 
          by Henry Chakava, "International Copyright and Africa: An Unequal Exchange"; 
          Dina Nath Malhotra, "Copyright: A Perspective from the Developing World"; 
          Urvashi Butalia, "The Issues at Stake: An Indian perspective on Copyright"; 
          Janice Wickeri, "Copyright in the Chinese Context"; and a contribution 
          by Lynette Owen (Rights and Contracts Director at Longman), "Copyright 
          - Benefit or Obstacle?" which is a perspective on copyright by a U.K. 
          publisher who has worked for more than 25 years in multinational, educational, 
          and academic publishing houses.
         Owen agrees that educational and academic publishers 
          in the more affluent countries should try to respond to the needs for 
          low-cost book supply in developing countries, but she stresses that, 
          in any licensing agreements, the original publisher is entitled to a 
          fair return for the use of publications in which they and their authors 
          have invested expertise, years of editorial work, and substantial finance. 
          She also acknowledges that licensing terms should be tailored to take 
          into account circumstances in the country of the licensee, but that 
          "a demand for rights to be passed free of charge or for a minimal royalty 
          percentage which may also be based on a minimal local price fail to 
          recognize the intrinsic worth of the title." She goes on to say that 
          "it is often forgotten that it is not the designated role of commercial 
          publishers in the more affluent countries to provide aid to less fortunate 
          countries"; that, she states, should be role of governments, through 
          initiatives such as translation subsidy schemes of low-cost book programs 
          such as the ELBS. 
         In contrast, Henry Chakava's hard-hitting paper, 
          or expos, about the African situation might be aptly described as an 
          attempt to decolonize the minds of the rights holders in the North. 
          The paper is written with a great deal of passion, and much of what 
          he says is presumably based on his own practical experience in his long 
          and distinguished career in publishing since he became publishing manager 
          of Heinemann Educational Books (East Africa) Ltd. in 1974, which later 
          became Heinemann Kenya, and is now East African Educational Publishers, 
          a fully Kenyan-owned company of which he is managing director. 
        In his paper, Henry Chakava argues that many aspects 
          of international copyright reciprocity are illusory, and that whether 
          or not African countries have become signatories to some of the copyright 
          conventions has been quite meaningless, and has not significantly benefited 
          any country. He contends that the main beneficiaries are still the publishers 
          in the North, who continue to be reluctant to grant reprint licenses 
          to African publishers, and that publishers in the North "are using copyright 
          as a weapon to maintain the dependency relations that currently exist." 
        
        In setting the scene for his arguments and his 
          call for measures to correct the present inequalities in international 
          copyright conventions, Henry Chakava precedes it by a number of statements 
          that, to this reviewer at least, appear unnecessarily negative. It is 
          true that the African book industries are still beset by many problems 
          and obstacles, that publishing output is still relatively insignificant, 
          and that the majority of indigenous publishers are still unable to compete 
          with the multinationals on real terms. However, some progress has been 
          achieved over the past two decades, and a substantial number of remarkable 
          and outstanding books continue to come from African presses despite 
          their operating in the midst of adversity. To repeatedly state, as he 
          does, that Africa has little to offer is a rather staggering assertion 
          that seems to ignore the work of many distinguished African writers, 
          scholars, and artists. Moreover, to state that African publishers (1) 
          "have little or nothing to sell," (2) "Children's books are few and 
          not produced to a quality level that can attract foreign interest", 
          or (3) "Academic books are few and mostly published out of the continent" 
          completely fails to recognize, for example, the remarkable, albeit still 
          relatively modest, success the Oxford-based African Books Collective 
          (of which Henry Chakava is a founder member publisher) has achieved 
          in selling a very wide range of African-published material, including 
          many academic and children's books. Since it started trading in May 
          1990 ABC has generated overseas turnover for African books in excess 
          of U.S.$1 million - still modest perhaps, but hardly "little or nothing 
          to sell!" 
        In the second part of his paper, Henry Chakava 
          makes the charge that publishers in the North "continue to flout 
          with impunity the same conventions that are protecting their interests 
          in the South," though it would perhaps have been helpful if such 
          claims had been backed up by one or two specific examples of any such 
          infringements. He calls for the humanizing of international copyright, 
          that the granting of licenses "should incorporate the human factor," 
          and that "all publishers should be prevented from outrightly refusing 
          to grant reprint licenses on flimsy grounds or without giving reasons." 
          The latter may be difficult to implement in practice, and some publishers 
          may find such reasoning rather unconvincing. They might well state that 
          any publisher, anywhere, is perfectly entitled to refuse reprint licenses 
          if it feels they are not in its interest, or in the interest of its 
          authors; or if the authors themselves don't feel it is in their interest. 
          Others might argue that special concessions have in any event already 
          been made through the provision of compulsory licensing under the terms 
          of the Paris Revisions. However, Henry Chakava points out, and I think 
          few would disagree with him here, that the rules governing compulsory 
          acquisition remain vague and are misunderstood by many, "while 
          the majority of African publishers are ignorant of them."
        Henry Chakava's paper in this collection is an 
          important and timely contribution to the debate about copyright, its 
          inequalities, and current practice in international rights trading. 
          I suspect a good number of his publishing colleagues in the North are 
          likely to disagree with some of his argumentation - or certainly the 
          practicalities of implementing some of his suggested measures for change 
          - but this is an eloquent and impassioned plea for equity, honesty, 
          reciprocity, understanding, and fair play to correct the present imbalance 
          in copyright conventions (both in their letter and in practice), and 
          thus help to strengthen the indigenous African book industries in the 
          years ahead.
        As Philip Altbach states in his introductory essay, 
          "there must be a recognition that all knowledge products are not 
          the same, and that while it may be justified to insist on commercial 
          terms of Nintendo games, some flexibility for scientific materials, 
          textbooks and the like is appropriate. The owners of knowledge must 
          modify their purely profit-oriented approach to certain segments of 
          the knowledge industry." And the time has come for some rethinking 
          of the relationship between the knowledge "haves" and "have 
          nots."  [end]  [BPN, 
          no 13, 1995, p 13.]
        (This review is reprinted from the African Book 
          Publishing Record, with the permission of the editor and publisher.)
        
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